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--- title: 【2021 年度獲獎團隊:眾生開眼_坪林尋怪地圖】怪奇生物加上開源魔法,幫坪林跟世界交朋友 tags: edu, jothon --- # 【2021 年度獲獎團隊:眾生開眼_坪林尋怪地圖】怪奇生物加上開源魔法,幫坪林跟世界交朋友 :::warning 📍 **[回首頁](https://g0v.hackmd.io/@jothon/sch001report)** 📍 **[了解零時小學校 2022 專案孵化競賽](https://sch001.g0v.tw/means/)** ::: ![](https://s3-ap-northeast-1.amazonaws.com/g0v-hackmd-images/uploads/upload_7b081aff6a55bb2a4754296098b5a6db.png) :::info **眾生開眼_坪林尋怪地圖 Strange Pinglin** 此計畫結合國中跨域課程,討論在地議題與轉化成怪奇故事;公民共編虛實交錯的線上地圖;並透過跨群參與小旅行,以怪奇主題引起探索好奇心,讓大眾重新介入所處的環境現場討論公共議題。也藉教案分享、小旅行、開源地圖系統串聯地方教育及社區工作社群,讓普羅大眾得此法寶開眼開智慧,善哉! Combining Localogy with cultural activities and school courses, this project has transformed local issues into strange stories, allowing the public to re-engage in the environment and community to discuss social issues through their creations on monster map. ::: :::success * 提案連結:https://sch001.g0v.tw/dash/prj/3i+GoS03kR05B809kR02H3p7L * 專案網站:https://strangepinglin.collective.tw/ * 專案開源:程式碼:GNU GPL/內容:CC-BY * 開源資料:https://github.com/SeanGau/pinglin-monster-ma * 團隊成員:陳科廷(@ktingchen)、張筱翎(@筱翎Sherry)、陳稚璽、許瑋育、鄭仰婷、鐘振紘、劉盈孜、陳君典、李昱萱、高任翔(@SeanGau) ::: 文/林冠廷 病毒肆虐的時代,幾乎是臺灣公民社會幾年來最大考驗。地方工作者與學校都耗盡心思,善用稀少資源,促進在地議題討論與聚焦。此時,一個長期耕耘新北坪林教育現場的藝術組織,找到兩樣絕妙的武器:青少年如魔法般的想像力,以及強大又低門檻的開源技術。 ### 在地議題變身鮮明「妖怪」 「矮矮瘦瘦,有猴子的大耳朵、還有著梅花鹿的角;他靈活聰明,調皮搗蛋愛玩,活潑樂天⋯⋯」,這是一隻名為「淙淙」的怪獸,最喜歡泡進坪林老街的餐廳廢水,再去北勢溪洗澡,使水裡出現七彩泡泡。 象徵水污染的「淙淙」,是坪林尋怪地圖約70隻妖怪之一。負責主持專案的地方藝術組織「坪林故事採集」創辦人陳科廷希望透過社區工作,深化家鄉的文化與教育底蘊。他解釋,妖怪是各種公共議題的化身,在一系列與坪林實驗國中合作的地方文化走讀課程中,為了讓學生對在地議題產生興趣,團隊將公共議題「怪奇化」——由學生尋找議題、將議題擬人化成為妖怪,並設計妖怪的故事、形象與出沒地點,集結成地圖式網站,使妖怪成為外地人與遊客認識坪林生活的趣味媒介。經過一年課程,幾十個「妖怪」就此誕生,涵蓋交通、環境、文化歷史與生活議題。 ![](https://s3-ap-northeast-1.amazonaws.com/g0v-hackmd-images/uploads/upload_842851138412c7bd6497f2250d02a7c8.jpg) ![](https://s3-ap-northeast-1.amazonaws.com/g0v-hackmd-images/uploads/upload_9a58f4ede9cb6ef64f39a52f52e8a5c6.jpg) ### 阻力也是助力,疫情激發國中生解放創意極限 本專案最大優勢,在善用教案設計與數位工具,捕捉孩子們天真而深刻的創造能力。團隊設計釐清議題與環境關聯的「妖怪紀錄表」、描繪妖怪與場景的生態圖學習單,結合表演藝術課程,帶學生循序為怪獸撰寫文字介紹,設計形象、聲音與肢體動作,並製作妖怪面具、拍攝扮裝影片。 詭譎多變的疫情,使團隊面臨遠距教學的挑戰。課程有幾週無法到校,隔絕實體互動,讓手作課程變得格外困難。專案成員張筱翎回想起當時手忙腳亂,覺得「線上上課滿衝擊的」。但團隊展現臨機應變的韌性,達到意想不到的效果:如孩子扮裝成妖怪的影片,即因無法照計畫進行實體學生成果發表,而改聘專業攝影師教同學在家拍攝的產物。同學們有些找來家人一起扮裝,有些剪接能力突出,最後影片效果十足。觀察學生在學校不被看見的一面,陳科廷與張筱翎異口同聲直呼,「真的很厲害!」 ![](https://s3-ap-northeast-1.amazonaws.com/g0v-hackmd-images/uploads/upload_8451cfc821cfd045306b6f6083aa2dc1.jpg) ![](https://s3-ap-northeast-1.amazonaws.com/g0v-hackmd-images/uploads/upload_8a35aa66a2dfdb6d54d1d68173373c00.jpg) ### 善用開源技術,譜出技術與藝術人的跨域協作之旅 團隊另一重要工具,是利用開源技術建置低成本、高品質的專案網站。團隊與 2019 年 g0v 公民科技獎助金得主竹圍工作室合作,曾任工作室主任的高任翔利用開源技術建置專案網站,不僅避免從頭設計網站的開銷,更能與其他社群區分享程式碼。張筱翎指出:「零時小學校一個很大的意義,就是讓大家知道有開放原始碼的方法,可以對其他人分享成果,奠基在彼此的經驗上共同成長。」 陳科廷也強調:「我們做計畫非常希望更多參與。使用開源形式,將能找到新的人,以擴大專案效益。」他表示,未來專案會繼續以相同精神發展,團隊已經準備好和下一屆坪林實驗國中八年級學生協作,以河流作為主題,催生更多開放理念加持的議題「妖怪」。 ![](https://s3-ap-northeast-1.amazonaws.com/g0v-hackmd-images/uploads/upload_2a6941536a2d6aae4914f5da3b316c2c.png)

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